A Theory of Adaptation
If you think adaptation can be understood by using novels and films alone, you’re wrong. The Victorians had a habit of adapting just about everything—and in just about every possible direction; the stories of poems, novels, plays, operas, paintings, songs, dances, and tableaux vivants were constantly being adapted from one medium to another and then back again. We postmoderns have clearly inherited this same habit, but we have even more new materials at our disposal—not only film, television, radio, and the various electronic media, of course, but also theme parks, historical enactments, and virtual reality experiments. The result? Adaptation has run amok. That’s why we can’t understand its appeal and even its nature if we only consider novels and filmsَ.
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