J R is a novel like no other novel, a singularity, a hands-down astonishment, an inferno, a Big Bang, a masterpiece. This introducer, asked to confine himself to a reasonable brevity, can in the pursuit of his introductory task do nothing but hrow up his hands and assert the above—that the novel is a novel like no other, a singularity, a Big Bang, a masterpiece. In wrestling with the sheer expanse of the thing, in fact, modalities thereof, the introducer despairs of giving the flavor of J R, of its polyphonies and musicalities, its myriad intertextualities (all of which are meticulously cross-referenced at The Gaddis Annotations, online, a resource that the man himself would probably have found admirably, if outrageously, comprehensive)
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